5 Oscillators

• 3 Main Oscillators
• 2 Sub Oscillators

Virtual Analog Models:

• Pulse with Pulse Width Modulation
• Sawtooth
• Triangle
• Sine

Wavetables:

• 68 wavetables taken from the legendary Microwave and Wave synthesizer as also Q and Blofeld wavetables

Frequency Modulation between Oscillators and Noise Generator
Oscillator Synchronization
Variable Startphase per Oscillator
Brilliance for Pulse, Sawtooth and all Wavetables
Ring Modulator for Osc 1 / 2
Noise Generator with Noise Colour
2 independent Multi Mode Filters

• Filter FM
• Resonance up to Self-Oscillation
• Low Pass 24 dB / 12 dB
• Band Pass 24 dB / 12 dB
• High Pass 24 dB / 12 dB
• Notch 24 dB / 12 dB
• Comb Filter with positive / negative Feedback

2 Drive Stages per voice with adjustable Drive Gain and selectable Curves

• Clip
• Hard
• Medium
• Soft
• Sine Shaper

Modulation Matrix with 16 Slots, freely programmable
Modulation Speed far into Audio Range
Modulation Sources include all internal Modulation Sources plus various MIDI messages
Modulation Destinations for almost all continuous sound parameters
various pre-routed Modulation Destinations with selectable Sources

• Pitch Modulation
• Oscillator 1 / 2 / 3 Frequency Modulation
• Oscillator 1 / 2 / 3 Pulse Width Modulation
• Filter 1 / 2 Cutoff Modulation
• Filter 1 / 2 Frequency Modulation
• Pan 1 / 2 Modulation
• Amp Modulation

4 Modifiers for transforming Modulation Sources with various Algorithms
3 fast LFOs

• syncable to MIDI Clock
• Note Retrigger with adjustable Start Phase
• monophonic LFO
• Keytrack
• freely drawable LFO waveform with 16 steps (only LFO3)

4 fast Envelopes with selectable types

• Single Trigger / Retrigger per Envelope
• ADSR
• ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level)
• One Shot
• Loop S1S2 (Loop between Sustain 1 and 2)
• Loop All (Loop over all stages)

Poly, Mono, Dual or Unisono Mode with selectable Voice Count, Unisono Detune and Stereo Spread